Celebrity Biographies
Rufus Sewell Biography, Age, Wife, Girlfriend, Daughter, Interview, Movies & TV Shows
BIOGRAPHY OF RUFUS SEWELL | RUFUS SEWELL
Rufus Sewell (full name: Rufus Frederik Sewell) is an English actor. He was born on October 29, 1967, in Twickenham, UK, to Jo, a Welsh entertainer and waitress, and William Sewell, an Australian entertainer.
His parents divorced when Sewell was five, and his mother worked to support him and his brother. His father died when he was 10 years old. Sewell was educated at Orleans Park School, a public school in Twickenham, which he left in 1984, followed by West Thames College, where a drama teacher sent him to audition for a school of acting. dramatic Arts. He then enrolled at the Central School of Speech and Drama in London.
After graduating, Sewell was set up with an agent by Judi Dench, who had directed him in a play at the Central School of Speech and Drama. His breakthrough year was in 1993, when he starred as the villainous Tim in Michael Winner’s Dirty Weekend. The winner chose him after seeing him in a play at the Criterion Theatre.
AGE OF RUFUS SEWELL
Rufus Frederik Sewell is an English actor. He was born on October 29, 1967 in Twickenham, United Kingdom. He turns 51 in 2018.
RUFUS SEWELL EYE SURGERY
Rufus Sewell underwent eye surgery Blepharoplasty of his eye in order to repair the ptosis of his eyelid. (Ptosis is an eyelid condition that causes the upper eyelid to droop or droop.)
RUFUS SEWELLVICTORIA
Victoria is a television show where the monarch’s life is told as the story begins with the death of King William IV in 1837, his accession to the throne at the tender age of 18, and his dealings with the influential forces that shaped him. surround.
With the advice of Prime Minister Lord Melbourne (Rufus Sewel) and the support of her husband Prince Albert, the young queen blossoms and asserts herself in her new role.
RUFUS SEWELL FAMILY
Sewell’s parents are William, an Australian entertainer, and JoSewell, a Welsh entertainer and waitress. Her father worked on the animation segment “Lucy in the Sky with Diamonds” for the film “The Beatles” Yellow Submarine. His parents divorced when Sewell was five and his father later died when he was ten.
WIFE OF RUFUS SEWELL | DAUGHTER OF RUFUS SEWELL | GIRLFRIEND OF RUFUS SEWELL
Sewell has been married twice. His first wife was Australian fashion journalist Yasmin Abdallah; they married in 1999 and divorced in 2000. He married his second wife, screenwriter and producer Amy Gardner, in 2004.
They have a son, William Douglas Sewell, born in 2002. They divorced in 2006. He also has a daughter. He has a little girl, Lola. He has been dating a Japanese girlfriend, who is a hairstylist and hates being part of the media and Hollywood, since 2009.
SIZE OF RUFUS SEWELL
Rufus has an estimated height of 1.83m. He weighs 82 kg. Her solidly built 43-inch chest and 13.5-inch biceps sit on her 33-inch waist, giving her a firm build. He wears size 12 shoes.
RUFUS SEWELL MOVIES AND TV SERIES
After graduating from Central School of Speech and Drama in London, he was set up with an agent by Judi Dench who directed him into a play at Central School of Speech and Drama. In 1993, he starred as the villainous Tim in Michael Winner’s Dirty Weekend. The winner chose him after seeing him in a play at the Criterion Theatre.
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Her film work includes 1995’s Cold Comfort Farm, directed by John Schlesinger, the lead role of John Murdoch in the 1998 sci-fi Dark City, Amazing Grace, The Illusionist, and Nancy Meyers’ romantic comedy The Holiday. Amazing Grace deals with William Wilberforce’s political struggle to abolish slavery in Britain, with Sewell playing fellow Wilberforce campaigner Thomas Clarkson.
Sewell is known for his villainous roles, such as those in A Knight’s Tale, The Legend of Zorro, Bless the Child, Helen of Troy, and The Illusionist. He spoke of his displeasure about it, saying that ‘don’t want to play a villain anymore’. “Everyone has what it takes to get around,” notes Sewell. ‘With me it’s like so good, how can I make this 19th century upper class villain different and interesting?’
EYE OF RUFUS SEWELL
Image by Rufus Sewell
Rufus has been into everything, but no, Rufus Sewell doesn’t have a glass eye, it’s just a lazy eye that has never been fully corrected. This makes him oddly cute, so he’s not the standard leading man.
But he’s still had the lead in a lot of costume movies and historical TV series, just not as many big, shiny movies. It’s like a poor man, Hugh Grant! Still, Rufus Sewell is a very good actor and shows up everywhere. He deserves a Man Candy Monday of his own, and those are my favorite roles.
FILMS BY RUFUS SEWELL
2001: A Knight’s Tale
1998: Dark City
2014: Hercules
2012: Abraham Lincoln: Vampire Hunter
2006: The Illusionist
2006: Tristan and Isolde
2006: The Holidays
1998: Dangerous Beauty
2010: The Tourist
2005: The Legend of Zorro
2016: Gods of Egypt
2006: Incredible Grace
1995: Cold Comfort Farm
1996: Hamlet
1997: The Woodlanders
2000: Bless the Child
2003: Helen of Troy
1994: A Man of No Importance
2014: Devil’s Hand
2013: All for All Men
2002: Extreme Ops
2008: Vinyan
2006: Paris, I love you
1995: Carrington
2008: Nancy Download
2013: I will follow you
1998: illuminated
1999: In a Wild Country
1998: Martha, meets Frank, Daniel and Laurence
1998: At the Sachem Farm
2001: Mermaid Chronicles Part 1: She Creature
2012: Hotel Noir
2015: Blinky Bill the Movie
1993: Dirty Weekend
2013: The Sea
2015: Kill Jesus
1991: twenty-one
1996: Victory
2013: The Brunchers
lost paradise
2005: Taming the Shrew
the last king
1994: Citizen Locke
Andam Kosam Pandem
King Henry IV
RUFUS SEWELL TV SERIES
Since 2015: The Man in the High Castle
Since 2016: Victoria
2010: The Pillars of the Earth
2011: Zen
2008 – 2009: Eleventh Hour
2003: Helen of Troy
2008: John Adams
1994: Middlemarch
2000: Arabian Nights
Since 2003: Charles II: Power and Passion
2012: End of the parade
2012: Restless
2008: The Devil’s Whore
RUFUS SEWELL’S TWITTER
INTERVIEW WITH RUFUS SEWELL
Victoria’ Star Rufus Sewell on Becoming a Sex Symbol at 49
The veteran actor who woos Queen Victoria and her very British nickname for Donald Trump.
“When I received the script from Victoria, I was halfway through the first season of The Man in the High Castle. This character is very complex, he suddenly inhabits the darkest realm and he is the ideal version of a stereotype, a typing, which I decided to embrace and take as far as possible. Suddenly, on my doorstep, this other guy I was fighting with – the brooding Victorian lord.
I read it and thought, “You know what? I’m so lucky to still be considered for this kind of role. “When I had that script, I realized that not only did I identify in some way with Melbourne, but I really liked it a lot, which for me isn’t always the case. Often the work for me is trying to shine a light on something dark or trying to find nuance in something that may seem like a note on paper. This was not the case in Melbourne. »
But he thought Lord M was a bit too perfect at first.
“One of my vague concerns when I read the script was that it seemed to conform to so many echoes of literary types that we’ve seen. I thought, if [their relationship] was really that interesting, wouldn’t we know a whole lot more about it? I was a little suspicious that he was pumped up for this kind of composite character.
So I read everything I could and found it to be so interesting and wonderful. I just couldn’t get enough of him after a while. Even if by reading an entire book you only get a glimmer of something useful, A) you’ve read a wonderful book – if you’re lucky, anyway – and B) this tiny, tiny , tiny thing could be the thing that unlocks it for you and brings it closer to home and makes it real for you.
Sorry, #Vicbourne shippers, you can’t rewrite history, it’s Prince Albert’s turn.
“My shoot of Victoria is kind of a mirror, in a way, of history. Jenna and I really got down. We had a great time from start to finish and from the first read it was clear we had a great rapport. And my set was basically packed in a few months before the arrival of the charming Tom, who plays Albert.
I was aware that this pleasure was coming to an end. Then Tom came along, and there was this crossover of a few weeks where we were all staying in the same hotel and we all went out together. It was lovely, but there was this vague feeling that I was going to have to abandon my playmate to someone else. I left, then it was his show. It was rather bittersweet.
As the star of The Man in the High Castle, he thinks comparisons between the current political climate in the United States and Nazi Germany are disrespectful, except for one thing.
“What was interesting about the book when it was written and what still interests him now, even though it can sometimes seem a little more lively than expected, is that it is about the process of normalization. It’s about the stories that people tell themselves so they can live their life, the stories that people build so they can live it and occupy it and be the center and the right person in their story, and that happens in the circumstances the most extraordinary and the most horrible. .
“The mass of Germany that accompanied succeeded in doing so by choosing to be ignorant, by choosing not to look at uncomfortable and inconvenient truths.
The idea that everyone evil lived in Germany from 1933 is a fallacy that’s probably comforting enough for us to say – we can create those monsters, those others who encapsulated evil for us. It is comforting but very dangerous because there were normal people in Germany.
I don’t mean the people who started Nazism, you know, Goebbels and Hitler and all his really deformed and deranged, horrible henchmen, but the people, the mass of Germany who went with him succeeded to do so by choosing to be ignorant. , choosing not to look at uncomfortable and inconvenient truths.
I mean the reason Nazism was so successful is that Goebbels was so brilliant at manipulating the media and no one read news from all over the world, and the moment the Germans marched into Poland they universally felt that they were the victims who finally stood up to themselves.
People can convince themselves of anything. Countries can convince themselves of anything, and now I have no doubt that a large proportion of people living in our version of Nazi America believe they live in a heroic and noble moral land.
So that’s a very important lesson about how if we’re not careful, these things, not only can they happen in America, but they have. This is how America began.
I don’t want to exaggerate, but there have been genocides before and the people who commit these genocides seem to be sleeping in their beds and getting up and you know, taking a vacation. When the book was written, it meant the same as it does now. It’s about what people do to normalize themselves. »
He once called Donald Trump a “catastrophic piece of pot” on Twitter.
“You can say so many things, but specifically after Meryl Streep said what she said, to describe her as overrated, I was, ‘Oh, f*ck off.’ The manners of swearing and insulting that come to a Brit are slightly different. It’s more onomatopoeia than anything else. »
You might not see him in the movies anymore.
“If there was one aspect of my career that I would happily walk away from, it’s filmmaking, because right now if I want to do really good quality work that goes really deep and works in a long way and who offers really multiple and interesting offers, demanding roles, they come to me on TV. »
RUFUS SEWELL MAN IN THE HIGH CASTLE
Rufus Sewell Man IMan In The High Castle’ Season 3: Why Rufus Sewell Wanted To Play Villain John Smith
Obergruppenführer John Smith is one of the most ruthless and cunning men in Amazon Prime’s The Man in the High Castle, based on Philip K Dick’s novel of the same name, about a dystopian America conquered by the Nazi Germany and Imperial Japan in 1962. Could Smith have been a different person had the Nazis not won World War II in this alternate reality?
Rufus Sewell portrays the Nazi leader in the Emmy-winning Amazon series, whose third season premieres October 5. His character is tasked with defending the Reich and obtaining the films that reveal alternate realities made by the Man in the High Castle. Obergruppenführer Smith is a seemingly strict follower of rules and does everything to protect his country. He is also a devoted family man to his wife and children.
When Nazi rules put his family in danger, Smith is forced to make a decision that goes against the procedures set by the Reich. Despite the heinous acts Smith has committed, his perception of a calloused monster is shattered when he concocts a plan to save his son Thomas, who has facioscapulohumeral muscular dystrophy. It would be easier to dismiss Smith as a maniacal killer, but that’s not the case. He is a multi-dimensional character who operates under his own set of morals not determined by the Reich.