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Ringo lam

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His unexpected disappearance, still active, and relatively young, since he was 63 years old, has shocked the stalwarts of Asian cinema. In the 1980s and 1990s he became one of the great representatives of the Hong Kong industry, influencing later filmmakers such as Quentin Tarantino, who considered him one of his masters, and like other illustrious compatriots he was signed by Hollywood.

Ringo Lam  was found dead by his wife, at his home in the city of  Ma On Shan , in the New Hong Kong Territories, on the morning of Saturday, December 29, 2018, according to Chinese media, which did not offer more information.

Born on December 8, 1955, when the demarcation was a British protectorate, Lin Lingdog (his real name) enrolled at the age of 18 in the TVP Actors Training Program, a prestigious institution. There he met  Chow Yun-Fat , over time one of the most requested oriental performers, who over time would be under his baton. But after small roles in middling films, he discovered that he was more interested in directing than acting, so he went to study directing at York University, in Toronto (Canada).

Producer and actor Karl Maka recruits him at the last minute to  direct Yam yeung choh , a fantastic drama, in 1983, after disagreements with the originally planned director, Leong Po-Chih. “I wasn’t very interested, but I needed to eat, and I agreed, but I think I did the best I could,” he recalled in an interview. After making good friends with Maka, he shot the comedies  Jun zi hao qiu  and  Oi san yat ho for him again , and the good reception of these titles allowed him to move on to the genre that really interests him, action, with  Never Die Twice . , fourth installment of the popular  Zui jia pai dang saga .

It is followed  by City on Fire , with the aforementioned Yun-Fat, as an undercover policeman in a gang of criminals, considered one of the keys to the international success of Hong Kong productions, along with  A Better Tomorrow , by  John Woo , also with the same actor. Tarantino has praised Lam’s film on several occasions, his source of inspiration for  Reservoir Dogs .

He would no longer leave the cinema of shots and clubs, with films like  Total Contact,  Prison on Fire  or  Twin Dragons , where he put himself at the service of Jackie Chan, the top star of the place. Like Yun-Fat, Woo, and others, he agreed to move to the United States, where he debuted in  Full Throttle , starring  Jean-Claude Van Damme , who played a policeman investigating the death of his twin. Despite the fact that the script wasn’t much, the truth is that Lam drew attention due to his dynamic staging. He repeated with the Belgian karate fighter in  Replicant , from 2001, and  Salvaje , from 2003.

After that he decided to take a break of several years. “Above all, to observe people and learn more about them. She wanted to look for resources, material, and themes that were worth doing in the movies.” Like Woo, his films from the movie mecca did not have the expected impact, so he ended up returning to Hong Kong. After the United Kingdom returned him to China in 1997, the local film industry failed to maintain the international pull of yesteryear, so his latest works,  Tiet sam gok, Mi cheng  and  Sky on Fire  went unnoticed. He leaves unfinished a segment of  Baat Bou Bun , a series of feature films reconstructing the history of Hong Kong from 1940 to the present.

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