Lola Lemos

Dolores García Lemos was born in Brea de Aragón, Zaragoza, on May 5, 1913, into a family with a great comic tradition, so she would naturally direct her professional dedication to the world of acting, representing many plays. on the theater stages. But in 1959 she made her first attempt at the cinema, with Two Men Came . While on television she was a regular in the 60s in productions such as Historias para no dormir and Estudio 1. She was always linked to television, because over time she would be a regular granny in Menudo es mi padre , Oh, Lord, Lord! or Companions . Pedro LazagaHe directed it twice in 1967 in the comedies Sor Citroen and ¿Qué hacemos con los hijos? . She also worked with Mariano Ozores ( Nine Month Chronicle , 1967). They were always secondary roles, to which she knew how to give a special grace. Already in democracy, or almost, she would have a presence in more spicy titles such as Zorrita Martínez (1975), by Vicente Escrivá . Fernando Fernán Gómez would recruit her for his Offside (1991)

. He also worked under the orders of Fernando Colomo ( Alegre ma non troppo , 1994) and Enrique Urbizu ( Cachito , 1995). It can be said that he was in the interpretive gap almost until the end, since in 2007 he still intervened in an episode of the medical series MIR .