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Jean rabier

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He illuminated the bright colors of the happy scenes and the dark ones of the sad ones in the classic “The Umbrellas of Cherbourg”, and was also a regular collaborator in the cinema of Claude Chabrol.

French cinema is in mourning these days for the death, on February 15, of Jean Rabier , one of its most illustrious cinematographers, at the age of 89, at his residence in Port-de-Bouc, south of Paris. , as revealed by the artistic director Jean-Yves Rabier, his son.

Born on March 16, 1927, in Montfort-l’Amaury, Jean Bernard Rabier worked as an industrial designer. After the end of the Nazi occupation, he found a job at the Conservatory of Arts and Crafts. He became interested in the audiovisual world when he accompanied Edmond Séchan and Jacques Dupont as a camera operator, to shoot a series of short documentaries in Africa.

He began working as a cinematographer in the early 1950s, with titles such as Cleo from 5 to 7 , by Agnès Varda , and The Evil Eye , which began his various collaborations with the prolific filmmaker Claude Chabrol , followed by titles such as Nada , Los cousins , The unfaithful wife , The butcher , A matter of women , A double life , Landru , Quiet days in Clichy and Madame Bovary , from 1991, which was his last work.

He also had time to work with other filmmakers, such as Marcel Ophüls ( La estafadora ) and Jacques Demy , with whom he shot his most famous title, Les Umbrellas de Chesburgo , where he obtained colorful Technicolor images.

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