Celebrity Biographies
Emma Suarez
When she debuted at the age of 15 in the film Memorias de Leticia Valle by Miguel Ángel Rivas, it became clear to Emma Suárez what she wanted to be when she grew up. She began a career with a firm step, where she has known how to combine theater, film and television, and despite not being a megastar that occupies the covers of magazines, her talent always shines in each of her projects.
Emma Suárez Bodelón was born in Madrid on June 25, 1964 and began in the world of cinema participating in short films and playing small roles in films such as Crónica de un instante (1981) orContinuous session (1984), the latter by José Luis Garci , which was nominated for an Oscar. In 1986 they signed her for four episodes of the seriesSadness of love , and although her appearance was fleeting, she had the opportunity to work alongside actors such as Concha Cuetos , Alfredo Landa or Carlos Larrañaga .
InTata Mía , by José Luis Borau , shared the screen with Imperio Argentina , Carmen Maura or Marisa Paredes , but in 1989, withLa paloma blanca by Juan Miñón , finally got a leading role alongside Antonio Banderas and Francisco Rabal , playing the daughter of the owner of a tablao who is harassed by her own father. For this work she was a candidate for best actress in the Fotogramas de Plata. After this drama, she was seen in a thriller,Alone with you , in another drama, Against the Wind , where he coincided with Banderas again, and in 1992, in the comedy La vida láctea , by Juan Estelrich Jr., a Spanish, French and German production. Emma Suárez played Bianca and had Mickey Rooney as a co-star , neither more nor less. In addition, the director became her husband in 1992, and her son was born as a result of that union.
Emma has been able to combine the cinema with the theater and thus participated in 1982 in “The cemetery of the birds”, by Antonio Gala ; or in 1985 in “Bajarse al moro”, by José Luis Alonso de Santos .
For a long time her name sounded like a firm proposal for Spanish cinema, and Julio Medem called her for his first feature film,Cows , together with Carmelo Gómez . The director was so happy with the work of the actress that he counted on her again for the following films of hers,the red squirrel andTierra (1996) , where he also coincided again with Carmelo Gómez. WithA house on the outskirts , by Pedro Costa , returned to the thriller field playing the wife of a disturbed Juan Echanove .
The journalist and director Pilar Miró wanted her and Carmelo Gómez to be the protagonists of Your name poisons my dreams , a film based on a novel by Joaquín Leguina and for which Emma Suárez received an Onda Award in 1996 and both protagonists each Silver Frames .
The success of the film made Carmelo and Emma meet again, again under the orders of Pilar Miró, in the productionEl perro del hortelano , a firm Spanish bet in 1996 and a great winner at the Goyas; the couple played the lovesick leads, Teodoro and Diana. The film, based on a play by Lope de Vega from Madrid , won the Goya for best director and for best actress, Suárez.
After the triumph of the film and her consolidation as an actress, Suárez accepted her participation in the seriesDear Teacher , which ran for three seasons. She shared the screen with Imanol Arias , with whom she later coincided in the successful Cuéntame como pasó , in 2004.The City of Wonders by Mario Camus , the dramaI will survive and the comedyKisses for all , were other titles in which Emma Suárez continued to confirm her talent.
Something unnoticed the movies passedDama de Porto Pim and the French Sansa , but in 2003, her name sounded loud again with the television premiere of the seriesThe swamp , where an innovative story was bet on at the time, full of intrigue and mystery. But the argument of the chapters did not stick with the public and the series was soon suspended. Emma continued her career in the cinema with films likeDaylight hours , Autumn rain ,Oscar. A surreal passion orUnder the Stars , by Félix Viscarret , a film for which she was nominated for a Goya in 2008. The same year was the premiere of “Uncle Vanya”, Chekhov’s tragicomedy.
Cazadores de hombres has been her return to television, where she plays Ana, a brave, courageous mother who does whatever it takes to find her daughter’s murderer. WithMy Father’s House , a film by Gorka Merchán about ETA, has reunited with Carmelo Gómez, and shares the screen with the new promises Verónica Echegui and Juan José Ballesta .
In short, his innate ability to make each interpretation a sober job has led him to receive numerous awards. His work stands out above average and his talent, not inconsiderable, is a guarantee of success.